% EMAI — Embodying AI: Music Making Beyond the Prompt
% Publications informing the project. 33 entries.
% Generated 2026-09-23 from https://emai.ca/publications/

@inproceedings{thibault2026waenderer,
  title     = {WÆnderer: Projecting and Navigating User-Defined Audio Corpora in Pre-Trained Audio Models},
  author    = {Dominic Thibault and David Piazza},
  year      = {2026},
  booktitle = {Proceedings of the 7th Conference on AI Music Creativity (AIMC 2026), Staatliches Institut für Musikforschung, Berlin, 16–18 September},
  doi       = {10.5281/zenodo.22275277},
  url       = {https://doi.org/10.5281/zenodo.22275277},
  keywords  = {small-data, embodiment, authorship, literacy}
}

@inproceedings{abuzuraiq2026there,
  title     = {“There is Beauty in the Small”: A Study of Visual Artists’ Impressions of Small Data and Model Crafting Approaches to Creative AI Work},
  author    = {Ahmed M. Abuzuraiq and Arshia Sobhan and Alexandra Kitson and Philippe Pasquier},
  year      = {2026},
  booktitle = {Proceedings of DIS ’26: 4202–4219},
  doi       = {10.1145/3800645.3812958},
  url       = {https://doi.org/10.1145/3800645.3812958},
  note      = {Honourable Mention},
  keywords  = {small-data, authorship}
}

@article{tchemeube2026survey,
  title     = {Survey and Typology of Computer-Assisted Composition Systems},
  author    = {Renaud Bougueng Tchemeube and Philippe Pasquier},
  year      = {2026},
  journal   = {ACM Computing Surveys 58 (13), Article 330},
  pages     = {1--41},
  doi       = {10.1145/3812539},
  url       = {https://doi.org/10.1145/3812539},
  keywords  = {literacy}
}

@inproceedings{zheng2026explainable,
  title     = {Explainable AI for the Arts 4 (XAIxArts4)},
  author    = {Shuoyang Zheng and Terence Broad and Elizabeth Wilson and Alexander Cole and Ziyu Xu and Jia-Rey Chang and Gabriel Vigliensoni and Jeba Rezwana and Lanxi Xiao and Michael Clemens and Makayla Lewis and Alan Chamberlain and Helen Kennedy and Corey Ford and Nick Bryan-Kinns},
  year      = {2026},
  booktitle = {Proceedings of the 2026 Conference on Creativity and Cognition (C&C ’26), 1–9},
  doi       = {10.1145/3803784.3804466},
  url       = {https://doi.org/10.1145/3803784.3804466},
  keywords  = {literacy}
}

@article{vigliensoni2025data,
  title     = {Data- and Interaction-Driven Approaches for Sustained Musical Practices with Machine Learning},
  author    = {Gabriel Vigliensoni and Rebecca Fiebrink},
  year      = {2025},
  journal   = {Journal of New Music Research},
  volume    = {53},
  number    = {1–2},
  pages     = {19--32},
  doi       = {10.1080/09298215.2024.2442361},
  url       = {https://doi.org/10.1080/09298215.2024.2442361},
  keywords  = {small-data, embodiment, authorship}
}

@inproceedings{bryankinns2025xaixarts,
  title     = {XAIxArts Manifesto: Explainable AI for the Arts},
  author    = {Nick Bryan-Kinns and Shuoyang Zheng and Francisco Castro and Makayla Lewis and Jia-Rey Chang and Gabriel Vigliensoni and Terence Broad and Michael Clemens and Elizabeth Wilson},
  year      = {2025},
  booktitle = {Extended Abstracts of the CHI Conference on Human Factors in Computing Systems (CHI EA ’25), Article 650},
  doi       = {10.1145/3706599.3716227},
  url       = {https://doi.org/10.1145/3706599.3716227},
  keywords  = {literacy}
}

@inproceedings{bryankinns2025leveraging,
  title     = {Leveraging Small Datasets for Ethical and Responsible AI Music Making},
  author    = {Nick Bryan-Kinns and Anna Wszeborowska and Olga Sutskova and Elizabeth Wilson and Phoenix Perry and Rebecca Fiebrink and Gabriel Vigliensoni and Rikard Lindell and Andrei Coronel and Nuno N. Correia},
  year      = {2025},
  booktitle = {Proceedings of the 20th International Audio Mostly Conference (AM.ICAD ’25)},
  doi       = {10.1145/3771594.3771601},
  url       = {https://doi.org/10.1145/3771594.3771601},
  keywords  = {small-data, literacy}
}

@inproceedings{ford2025explainable,
  title     = {Explainable AI for the Arts 3 (XAIxArts3)},
  author    = {Corey Ford and Elizabeth Wilson and Shuoyang Zheng and Gabriel Vigliensoni and Jeba Rezwana and Lanxi Xiao and Michael Clemens and Makayla Lewis and Drew Hemment and Alan Chamberlain and Helen Kennedy and Nick Bryan-Kinns},
  year      = {2025},
  booktitle = {Proceedings of the 2025 Conference on Creativity and Cognition (C&C ’25), 13–19},
  doi       = {10.1145/3698061.3728392},
  url       = {https://doi.org/10.1145/3698061.3728392},
  keywords  = {literacy}
}

@inproceedings{pasquier2025midigpt,
  title     = {MIDI-GPT: A Controllable Generative Model for Computer-Assisted Multitrack Music Composition},
  author    = {Philippe Pasquier and Jeff Ens and Nathan Fradet and Paul Triana and Davide Rizzotti and Jean-Baptiste Rolland and Maryam Safi},
  year      = {2025},
  booktitle = {Proceedings of the AAAI Conference on Artificial Intelligence 39},
  pages     = {1474--1482},
  url       = {https://arxiv.org/abs/2501.17011},
  keywords  = {authorship, literacy}
}

@inproceedings{liu2025aiassisted,
  title     = {AI-Assisted Sound Design with Audio Metaphor (AuMe): An Evaluation with Novice Sound Designers},
  author    = {Liu and Lee and Thorogood and Anderson and Pasquier},
  year      = {2025},
  booktitle = {AIMC 2025},
  url       = {https://zenodo.org/records/16946064},
  keywords  = {literacy}
}

@inproceedings{abuzuraiq2025explainabilityinaction,
  title     = {Explainability-in-Action: Enabling Expressive Manipulation and Tacit Understanding by Bending Diffusion Models in ComfyUI},
  author    = {Ahmed M. Abuzuraiq and Philippe Pasquier},
  year      = {2025},
  booktitle = {XAIxArts 2025},
  url       = {https://arxiv.org/abs/2508.07183},
  keywords  = {literacy, embodiment}
}

@inproceedings{thibault2025navigating,
  title     = {Navigating Abstract Timbre Spaces: Instrumental Affordances of Concatenative Synthesis in Mosaïque},
  author    = {Dominic Thibault and David Piazza and Mimi Allard and Mathieu Arseneault and Gaël Moriceau},
  year      = {2025},
  booktitle = {Proceedings of the 6th Conference on AI Music Creativity (AIMC 2025), Vrije Universiteit Brussel},
  url       = {https://aimusiccreativity.org/2025/proceedings},
  keywords  = {embodiment, literacy}
}

@inproceedings{thibault2024mosaique,
  title     = {Mosaïque — Concatenative Synthesis Instrument for the Practicing Musicians},
  author    = {Dominic Thibault},
  year      = {2024},
  booktitle = {Proceedings of the 5th AI Music Creativity Conference (AIMC 2024), Oxford},
  url       = {https://aimc2024.pubpub.org/proceedings},
  keywords  = {embodiment, literacy}
}

@inproceedings{abuzuraiq2024seizing,
  title     = {Seizing the Means of Production: Exploring the Landscape of Crafting, Adapting and Navigating Generative AI Models in the Visual Arts},
  author    = {Ahmed M. Abuzuraiq and Philippe Pasquier},
  year      = {2024},
  booktitle = {Workshop on Generative AI and HCI, CHI ’24},
  url       = {https://arxiv.org/abs/2404.17688},
  keywords  = {authorship, literacy}
}

@inproceedings{abuzuraiq2024towards,
  title     = {Towards Personalizing Generative AI with Small Data for Co-Creation in the Visual Arts},
  author    = {Ahmed M. Abuzuraiq and Philippe Pasquier},
  year      = {2024},
  booktitle = {Joint Proceedings of the ACM IUI Workshops 2024, Vol. 3660},
  pages     = {1--14},
  url       = {https://ceur-ws.org/Vol-3660/paper11.pdf},
  keywords  = {small-data, authorship}
}

@inproceedings{tecks2024explainability,
  title     = {Explainability Paths for Sustained Artistic Practice with AI},
  author    = {Austin Tecks and Thomas Peschlow and Gabriel Vigliensoni},
  year      = {2024},
  booktitle = {Second International Workshop on eXplainable AI for the Arts (XAIxArts 2024)},
  doi       = {10.48550/arXiv.2407.15216},
  url       = {https://doi.org/10.48550/arXiv.2407.15216},
  keywords  = {authorship, literacy}
}

@inproceedings{vigliensoni2023steering,
  title     = {Steering Latent Audio Models through Interactive Machine Learning},
  author    = {Gabriel Vigliensoni and Rebecca Fiebrink},
  year      = {2023},
  booktitle = {Proceedings of the 14th International Conference on Computational Creativity (ICCC ’23), 19–23},
  doi       = {10.5281/zenodo.8087978},
  url       = {https://doi.org/10.5281/zenodo.8087978},
  keywords  = {embodiment, authorship}
}

@inproceedings{gee2023the,
  title     = {The BioSynth — An Affective Biofeedback Device Grounded in Feminist Thought},
  author    = {Erin Gee},
  year      = {2023},
  booktitle = {New Interfaces for Musical Expression (NIME 2023), Mexico City, Mexico},
  url       = {https://scholar.google.com/citations?view_op=view_citation&hl=en&user=eoAH79gAAAAJ&citation_for_view=eoAH79gAAAAJ:2osOgNQ5qMEC},
  keywords  = {embodiment, authorship}
}

@inproceedings{davis2023etudbe,
  title     = {eTu{d,b}e: Case Studies in Playing with Musical Agents},
  author    = {Tommy Davis and Kasey LV Pocius and Vincent Cusson and Marcelo Wanderley and Philippe Pasquier},
  year      = {2023},
  booktitle = {NIME 2023, Mexico City},
  pages     = {268--276},
  doi       = {10.5281/zenodo.11189180},
  url       = {https://doi.org/10.5281/zenodo.11189180},
  keywords  = {embodiment, authorship}
}

@inproceedings{zlatov2023searching,
  title     = {Searching for Human Bias Against AI-Composed Music},
  author    = {Zlatov and Jeff Ens and Philippe Pasquier},
  year      = {2023},
  booktitle = {EvoMusArt 2023},
  doi       = {10.1007/978-3-031-29956-8_20},
  url       = {https://doi.org/10.1007/978-3-031-29956-8_20},
  keywords  = {authorship}
}

@inproceedings{lecomptebergeron2022automatic,
  title     = {Automatic Transcription of ‘Gambang’ Balinese Gamelan},
  author    = {Sarah Lecompte-Bergeron and Dominic Thibault and I Putu Arya Deva Suryanegara},
  year      = {2022},
  booktitle = {Proceedings of AIMC 2022},
  url       = {https://2022.aimusiccreativity.org/},
  keywords  = {small-data, literacy}
}

@article{vigliensoni2022rvae,
  title     = {R-VAE: Live Latent Space Drum Rhythm Generation from Minimal-Size Datasets},
  author    = {Gabriel Vigliensoni and Louis McCallum and Esteban Maestre and Rebecca Fiebrink},
  year      = {2022},
  journal   = {Journal of Creative Music Systems},
  volume    = {1},
  number    = {1},
  doi       = {10.5920/jcms.902},
  url       = {https://doi.org/10.5920/jcms.902},
  keywords  = {small-data, embodiment}
}

@inproceedings{vigliensoni2022a,
  title     = {A Small-Data Mindset for Generative AI Creative Work},
  author    = {Gabriel Vigliensoni and Phoenix Perry and Rebecca Fiebrink},
  year      = {2022},
  booktitle = {Generative AI and HCI: CHI 2022 Workshop},
  doi       = {10.5281/zenodo.7086327},
  url       = {https://doi.org/10.5281/zenodo.7086327},
  keywords  = {small-data, literacy}
}

@inproceedings{thelle2021spire,
  title     = {Spire Muse: A Virtual Musical Partner for Creative Brainstorming},
  author    = {Notto J. W. Thelle and Philippe Pasquier},
  year      = {2021},
  booktitle = {NIME 2021, Shanghai},
  doi       = {10.21428/92fbeb44.84c0b364},
  url       = {https://doi.org/10.21428/92fbeb44.84c0b364},
  note      = {Best Paper Award},
  keywords  = {embodiment, authorship}
}

@article{gee2020approaches,
  title     = {Approaches to Biometrics in Experimental Sound Art},
  author    = {Erin Gee and Francisco Garcia},
  year      = {2020},
  journal   = {PUBLIC Journal 60 (Biometrics: Mediating Bodies)},
  pages     = {14--17},
  doi       = {10.1386/public_00002_1},
  url       = {https://doi.org/10.1386/public_00002_1},
  keywords  = {embodiment, literacy}
}

@article{gee2020larynx,
  title     = {Larynx Series, Voice of Echo, and Formants: Three Sound-Based Performance Works},
  author    = {Erin Gee},
  year      = {2020},
  journal   = {Canadian Theatre Review 184},
  pages     = {67--73},
  doi       = {10.3138/ctr.184.013},
  url       = {https://doi.org/10.3138/ctr.184.013},
  keywords  = {embodiment, authorship}
}

@inproceedings{vigliensoni2020webbased,
  title     = {Web-Based Dynamic Visualization of Rhythmic Latent Spaces},
  author    = {Gabriel Vigliensoni and Esteban Maestre and Rebecca Fiebrink},
  year      = {2020},
  booktitle = {Sound, Image and Interaction Design Symposium (SIIDS 2020)},
  doi       = {10.5281/zenodo.7438305},
  url       = {https://doi.org/10.5281/zenodo.7438305},
  keywords  = {embodiment, literacy}
}

@inproceedings{vigliensoni2020creating,
  title     = {Creating Latent Spaces for Modern Music Genre Rhythms Using Minimal Training Data},
  author    = {Gabriel Vigliensoni and Louis McCallum and Rebecca Fiebrink},
  year      = {2020},
  booktitle = {Proceedings of the Eleventh International Conference on Computational Creativity (ICCC ’20), 259–262},
  doi       = {10.5281/zenodo.7415792},
  url       = {https://doi.org/10.5281/zenodo.7415792},
  keywords  = {small-data}
}

@inproceedings{vigliensoni2020generation,
  title     = {Generation and Visualization of Rhythmic Latent Spaces},
  author    = {Gabriel Vigliensoni and Louis McCallum and Esteban Maestre and Rebecca Fiebrink},
  year      = {2020},
  booktitle = {Proceedings of the 2020 Joint Conference on AI Music Creativity},
  doi       = {10.5281/zenodo.4285422},
  url       = {https://doi.org/10.5281/zenodo.4285422},
  keywords  = {small-data, embodiment}
}

@article{tatar2019musical,
  title     = {Musical Agents: A Typology and State of the Art towards Musical Metacreation},
  author    = {Kıvanç Tatar and Philippe Pasquier},
  year      = {2019},
  journal   = {Journal of New Music Research},
  volume    = {48},
  number    = {1},
  pages     = {56--105},
  doi       = {10.1080/09298215.2018.1511736},
  url       = {https://doi.org/10.1080/09298215.2018.1511736},
  keywords  = {authorship, literacy}
}

@article{gee2019automation,
  title     = {Automation as Echo},
  author    = {Erin Gee and S. Audry},
  year      = {2019},
  journal   = {ASAP/Journal},
  volume    = {4},
  number    = {2},
  pages     = {307--312},
  doi       = {10.1353/asa.2019.0025},
  url       = {https://doi.org/10.1353/asa.2019.0025},
  keywords  = {authorship, embodiment}
}

@article{gee2013repetition,
  title     = {Repetition as Radical Referral: Echo and Narcissus in the Digital Index},
  author    = {Erin Gee},
  year      = {2013},
  journal   = {Sound Art Theories 2011, 23},
  pages     = {88--89},
  doi       = {10.1162/LMJ_a_00165},
  url       = {https://doi.org/10.1162/LMJ_a_00165},
  keywords  = {authorship}
}

@article{gee2010other,
  title     = {Other Bodies, Other Voices},
  author    = {Erin Gee},
  year      = {2010},
  journal   = {eContact! Journal of the Canadian Electroacoustic Community 12.3},
  url       = {https://econtact.ca/12_3/gee_voices.html},
  keywords  = {embodiment}
}