Call for Applications 2026

Three funded
PhD fellowships

A research-creation team developing embodied, small-data machine learning systems for music composition and performance, in Montréal, Canada.

Application deadlineOctober 23, 202611:59 p.m. Eastern Time
Expected startSeptember 2027Montréal, Canada
Funding$33,000 CADper year / three years
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We are seeking three doctoral researchers, each supervised by one of the project's Montréal-based investigators and pursuing scientific research and research-creation work within the EMAI project.

Fellows will design and perform with embodied, small-data machine learning systems; curate datasets and train models; document how authorship unfolds across data collection, training, mapping, and performance; and present new sound and music work.

You may apply to more than one position. Name the positions you are applying to in your motivation letter, in order of preference.

01

Concordia University
Supervisor: Gabriel Vigliensoni

Program

PhD in the Individualized Program (INDI), Concordia University. Hosted at the Milieux Institute and PLASM.

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This position explores data- and interaction-driven approaches to sound- and music-making with machine learning. The fellow will curate small, context-specific datasets; train, fine-tune, and appropriate generative audio models; and use machine learning to craft embodied mappings between the human performance space (gestural and tactile controllers, movement, multimodal input) and the latent space of neural audio synthesis models, treating their parameters as expressive, performable resources for shaping musical structure in real time.

The fellow will compose and premiere new works with these systems and co-author publications, open datasets, models, and artist-readable documentation.

PLASMMilieux InstituteINDI PhDGenerative audioSmall dataEnglish required
02

Université de Montréal
Supervisor: Dominic Thibault

Program

PhD in Music or Doctorate in Music (DMus), Faculty of Music, Université de Montréal, depending on the candidate's profile — a more theoretical orientation leads to the PhD, a more practice-based orientation to the DMus. Hosted at the Laboratoire formes·ondes.

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This position investigates embedded generative audio systems as musical instruments, exploring how machine-learning models for sound generation can be adapted, optimized, and deployed on resource-constrained computing platforms for real-time musical interaction. At the intersection of generative audio, embedded computing, digital lutherie, and research-creation, the fellow will develop instruments integrating neural audio models and custom interaction strategies, addressing questions of computational efficiency, latency, model architecture, and expressive control.

Particular attention will be given to variational autoencoders (VAEs) and related neural audio architectures, as well as to the integration of electronics, sensors, and embedded audio platforms. Through iterative instrument design, composition, and performance, the doctoral project will investigate how the constraints and affordances of embedded machine learning can become compositional and performative resources, contributing new approaches to embodied generative AI for music.

formes·ondesPhD or DMusDigital lutherieEmbedded computingEnglish requiredFrench required
03

Université de Montréal
Supervisor: Erin Gee

Program

PhD in Music or Doctorate in Music (DMus), Faculty of Music, Université de Montréal, depending on the candidate's profile. Hosted at the Laboratoire formes·ondes.

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This position focuses on distributed and embodied AI for music, exploring how intelligence and musical agency can be distributed across bodies, musical instruments, and technological devices. This PhD/Doctoral student may investigate combinations of performers and embedded computational agents using physiological or gestural sensing, TinyML, microcontrollers, and one-to-many / many-to-many communication as a means to explore musical systems in which decision-making occurs across interconnected nodes.

At the heart of the position is a question of how distributed AI systems might "think" through material or bodies when computational power is limited, but communication between embodied nodes is rich and complex.

For example: what information is sensed locally? What is communicated between performers or devices? What is the temporality of this communication? Where do computational decisions occur? What can these architectural considerations contribute to the field of music, and conversely, what can musical experimentation contribute to how the architecture of AI systems is conceived?

Intersecting concepts of biofeedback and cybernetics with digital lutherie, human–computer interaction, and research-creation, the fellow will explore creative interfaces for distributed musical systems. Projects might explore physiological or gestural computing, networked microcontrollers, on-device sensing and inference, TinyML, or communication among multiple performers and computational agents. These technologies may be investigated through composition, performance, installation, or new forms of digital musical instrument.

The position particularly welcomes candidates interested in questioning assumptions about where intelligence, agency, and control reside within computational systems, or systems of musical thought. Feminist and queer theory, disability studies, critical approaches to technology, non-Western epistemologies, and other cultural or philosophical traditions may provide not only frameworks for analyzing these systems, but models for designing alternative relationships among bodies, machines, and musical agents.

These orientations are invitations rather than requirements, and candidates are equally encouraged to bring other theoretical, technical, artistic, or practice-based approaches to these questions. I am curious to hear your ideas!

formes·ondesPhD or DMusBiofeedbackDistributed AI / TinyMLDigital LutherieEnglish requiredFrench required

Fellowship

$33,000 CAD per year for three years, for each of the three positions, funded by the Social Sciences and Humanities Research Council (SSHRC).

External awards

Fellows are expected to apply for external doctoral awards (e.g. FRQSC and SSHRC doctoral fellowships), with active support from the supervisory team. Funding is guaranteed at no less than $33,000 per year: an external award of higher value replaces the fellowship, and one of lower value is topped up by the project to that amount.

Travel support

Support for conferences, concerts, and festivals through the project and its partners.

A research community

Full integration into the project's research and dissemination activities: GAMMa workshops, live@CIRMMT concerts, festival presentations, and the AIMC 2027 conference in Montréal.

Candidate profile

Artistic

  • A developed practice in composition, improvisation, and/or performance of electronic or electroacoustic music, demonstrated through a body of experimental works;
  • Understanding of research-creation methodologies;
  • Ability to work collaboratively in artistic creation.

Scientific and technical

  • Interest in digital lutherie, instrument design, and embodied interaction with machine learning systems;
  • Experience implementing or interacting with generative AI models, particularly for audio or symbolic music;
  • Proficiency in several of: Python, C++, Max, SuperCollider, JavaScript;
  • Experience documenting creative work (texts, diagrams, code repositories, audiovisual documentation).

Languages

  • English — required for all positions, for international dissemination;
  • French — required for Positions 2 and 3, the working language of the Faculté de musique and the Laboratoire formes·ondes.

How to apply

One PDF. Five parts, in this order.

  1. Motivation letter

    Maximum 2 pages, indicating the position or positions you are applying to, in order of preference, and describing how your experience and interests align with the EMAI project.

  2. Preliminary research proposal

    Maximum 2 pages, sketching the doctoral research-creation project you would pursue within the chosen position.

  3. Curriculum vitae

    Maximum 4 pages, including works, performances and installations, publications, and software or tools.

  4. Portfolio of 3 to 5 works

    Each work must include a link to audiovisual documentation (recording, video, or interactive media) and a short description of the work and your role in it, maximum 150 words. Submissions with more than five works will not be considered in full.

  5. List of three references

    Names, affiliations, and contact details only. Letters are not required at this stage, and will be requested only from shortlisted candidates.

Email subjectPhD Application – EMAI – LAST NAME First Name
PDF file namePhD_EMAI_LastName_FirstName.pdf
Step 01

Application deadline

October 23, 2026, 11:59 p.m. Eastern Time.

Step 02

Shortlisting

Based on the application package. References are contacted at this stage.

Step 03

GAMMa workshop, early December 2026

Shortlisted candidates will be invited to present their work at the GAMMa workshop in Montréal as part of the selection process. Remote participation is possible.

Step 04

Interviews, early December 2026

Shortlisted candidates will be invited to discuss their work and their involvement in the EMAI project in 30-minute to one-hour interviews with our team. Remote participation is possible.

Selected candidates will be supported through formal admission to the corresponding doctoral program — Concordia INDI, or UdeM PhD in Music or DMus — for a September 2027 start. The fellowship is conditional on admission.

Equity, diversity, and inclusion

We encourage applications from all qualified candidates, and particularly from members of groups historically underrepresented in music technology and creative AI.

If you have accessibility or accommodation needs at any stage of the selection process, please let us know so we can ensure your full participation.